Interesting that Chapter 7 specifically mentions "保羅, 雅典, 臺灣" — suggests the author is intentionally connecting ancient theology with modern local context. The minimalist cover design with vertical stripes subtly echoes the cross, reinforcing the book’s core theme without overt imagery.
Interesting that Chapter 7 specifically mentions "保羅, 雅典, 臺灣" — suggests the author is intentionally connecting ancient theology with modern local context.
回覆刪除The minimalist cover design with vertical stripes subtly echoes the cross, reinforcing the book’s core theme without overt imagery.
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